Recently, I had the chance to attend High End Vienna, where I bore witness to an incredible array of audio gear. Whether it was new flagship loudspeakers from Bowers & Wilkins, futuristic looking headphones, or innovative portable DACs, there was a lot to get excited about. But one product really caught my attention.

As I walked through the Austria Center Vienna, I could hear the sounds of birds singing and crickets chirping. I followed the sound through and discovered a tropical-rainforest-themed room, and within it, sat the Dynaudio Opus One — a large, premium soundbar with mechanized wooden fins. It really was unlike anything I’d seen before.

I got the chance to check out the soundbar for myself, I attended a listening demo, and I even got to speak with Dynaudio Chief Commercial Officer, Julien Bergere, about the one-of-a-kind product ahead of its launch.

Opus One: an introduction

So what is the Dynaudio Opus One? Bergere describes it as “a new, immersive sound product for the home” for both movies and music. It's the first product in the company’s Symphony line of products that are expected to connect together to create a home ecosystem — in a similar vein to Sonos’ multi-speaker array systems, for example.

Something that’s instantly striking about the Opus One is its grand width — it measures 73.4 inches / 1864mm across. Larger TVs have become a lot more popular in recent years, and I asked Bergere if this had influenced the decision to make the Opus One so large. “Absolutely,” he said. “More premium soundbars are usually the size of a 55-inch TV, but there is no solution if you have a bigger TV or a bigger room, and this one is bringing a new dimension in terms of, you know, bass and immersive rendering”.

On the topic of immersion, I was curious as to whether the Opus One would support formats such as Dolby Atmos and DTS:X. Bergere responded: “It will support all the major audio formats including immersive audio, but we're not done yet with the certification.” In addition, the soundbar makes use of spatial sound algorithms designed in Denmark, where Dynaudio is based.

But it’s not all about immersive movie watching. “It can also be used as a stereo device,” said Bergere. “If you have stereo in, you can also play in pure stereo with only the left section and the right section activated to play in a really pure stereo rendering.” You’re able to take the center channel out of the equation entirely, he said, and I’ve personally seen quite a few premium soundbars skip on such a feature, resulting in weaker left and right channel separation. The soundbar can also upmix some stereo content into a more immersive format, but the option for a more purist stereo experience is certainly captivating.

There are a number of ways to experience the Opus One. You can connect to your TV via HDMI ARC, stream music over Wi-Fi or Bluetooth, or make use of an AUX port. There’s also an Ethernet port on the soundbar, enabling you to access more stable connectivity. The Opus one also features a massive array of drivers — 24 to be exact — with six soft-dome tweeters, 14 mid/bass drivers, and four dual-diaphragm force-cancelling subwoofers. They come with 1500W of digital amplification, enabling the Opus One to deliver roaring power.

Wooden fins made in Japan bring serious style

As well as its impressive connectivity, power, and size, the Opus One is a joy to look at. It only seems natural to begin with the mechanized wooden fins, which move as you watch a movie or listen to music. “We call them kinetic fins,” said Bergere.

There are 72 mechanized fins on each unit of the Opus One, all of which are handmade, and personify Dynaudio’s ambition to forge a premium audio and visual product.

“[The fins] are actually made in a white oak from Hokkaido by Karimoku,” he said, noting that Karimoku is one of the largest furniture makers in Japan. “We are trying to mix technology and lifestyle… trying to hide the technology [in] beautiful objects but also bring a touch of magic, in this case, with the fact that the fins are moving and can be used to create surprise.”

Bergere confirmed that the wooden fins have no sonic benefit, but did note one functional benefit. “When the product is off, they’re [the fins] actually sealed, so they’re hiding the speaker drivers and protecting them at the same time," he said. He also pointed to acoustically transparent fabric, used on the top and side of the Opus One, which is just as stylish as it is practical.

As you’d expect, the fusion of designer-grade materials with such a premium, 24-driver model, means that the Opus One is pretty pricey. Specifically, the Opus One comes in at €13,000 (about $15,000 / £11,000) — a lot more than premium bars you’d see from the likes of Samsung, JBL, and Sonos. In addition, Bergere told me that accessories, such as stands and mounting gear, will cost between €500 and €5,000. “So together with a good quality screen, it’s around €20,000 for a complete setup with the floor stand,” he said.

Sound check: raw power and impressive imaging combine

With a price like this, you’re going to expect stellar sound from this soundbar to match its undoubtedly gorgeous look. And luckily, I got the chance to hear the Opus One for myself in a demo room. And yeah, it’s fair to say I was pretty impressed.

In 2025’s F1, I was astonished by the thunderous bass output that the Opus One conjured up — the roar of cars whizzing by was palpable, showing off the model’s 1,500W amplification to full effect.

Something else that struck me was the effectiveness of spatial audio effects. Whether it was vehicles zooming across the screen or fireworks blasting into the sky, the Opus One tracked each movement with precision and care.

We listened to some music too, including a stereo mix of Eric Clapton’s Tears In Heaven, where vocals were beautifully defined, subtle strings came through with great clarity, and warm bass came through cleanly.

With Atmos music, I felt similar — vocal-led tracks were beautifully detailed, instruments were well separated, and percussion in the treble range was articulate and expressive. Individual sounds also dispersed across the listening space to create an expansive, immersive experience.

The Opus One officially launched in June, but availability is still relatively limited. To begin with, Dynaudio has opted to release the soundbar in its home market, Denmark, as well as China — though Bergere said Dynaudio plans to launch the product across “more markets in 2027”. It’s available in two different finishes: one with White Oak fins, and another with Appalachian Walnut.

• Loewe's Antares is a 4K OLED TV with triple tuner, HDMI 2.1 and 144Hz VRR
• Selection of wall mounts, floor stands, rotatable table stands and speakers
• From £2,500 (about $3,350 / AU$4,799)

German luxury brand Loewe has unveiled what it calls its "most individual Smart OLED TV to date," the Loewe Antares. It's a 4K TV with a modular design that enables you to personalize it to suit your particular preferences.

The Antares TV features interchangeable aluminum onlays with a range of fabric colors, and flexible setup options including a universal table stand, multiple floor stands including a motorized stand, and several wall mount options. The table stand can rotate and offers three height positions.

The TV has Loewe's Invisible Sound integrated speaker system, but you can specify it with lots of beefier options. You can add the Loewe Soundbar Antares, which is a front-firing 80W soundbar designed specifically for these TVs, and/or an optional subwoofer.

You can also specify your Antares with other Loewe audio products including the multi.room amp, Klang subwoofer, We.BOOST wireless surround sound system and the we.BOOST center speaker, though the TV itself can be the center speaker in the wireless surround system if you prefer.

Loewe Antaras: key features and pricing

Each Antares TV has a 4K OLED panel that's been "individually calibrated before leaving the factory" according to Loewe. Loewe is one of the few companies that gets raw OLED panels from LG Display and finishes the manufacturing itself, but the company confirmed that this is an OLED EX panel with Double Rate Driving technology, which suggests it's the same panel tech used in the five-star (albeit cheaper) LG C6 OLED TV, plus whatever finishing touches and calibration Loewe has added.

There's support for both Dolby Vision IQ and HDR10+ Adaptive when it comes to HDR. There's a dual-channel, triple-tuner setup with USB recording, parallel TV viewing and timeshift functionality, and the OS is a customized version of Vidaa OS, with key streaming apps, Apple AirPlay, Miracast and Matter on board.

For gamers there's HDMI 2.1 support, with 144Hz VRR at 4K, and a dedicated low-latency gaming mode. There are multiple sizes here, from the compact 42-inch to the range-topping 77-inch.

As you'd expect from Loewe these are premium priced TVs. Prices start at £2,500 (about $3,350 / AU$4,799) and rise to £4,000 (about $5,370 / AU$7,675). The Loewe Antares soundbar is £300 (about $400 / AU$575).

At the moment this is a UK-only release, though Loewe told TechRadar that a US launch is being considered, but isn't confirmed yet.

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I'm quite happy with my current Sonos speaker. Still, I've just seen that the manufacturer has once again launched its double upgrade credit campaign, meaning it could be a good time for some new tech, as you can save 30% on your next speaker or soundbar when you buy direct from the manufacturer.

• Claim your 30% Sonos discount

The whole process is very straightforward. Start by logging in to the upgrade page and checking that you own a product that's eligible for the program. If you do, you should see a button to activate your upgrade credit. After that, simply add the new product you want to buy to your basket, and then activate the discount at the checkout.

There's a good selection of products in the promotion, including the excellent Sonos Arc soundbar for $629 / £629, which we awarded four and a half stars out of five in our Sonos Arc review. Or there's the latest Sonos Roam 2 for $125 / £125 that we said was even better than the original version in our Sonos Roam 2 review.

Just a heads up that time is running out on the double credit promotion, as it's scheduled to end on July 17. After that, it reverts to the original 15% off.

Save 30% on Sonos speakers and soundbars

Is the Sonos upgrade program worth it?

The Sonos upgrade program is a no-brainer if you've got an eye on a new speaker or soundbar from the manufacturer.

The list of qualifying products nearly covers the entire catalogue, so chances are that, if you bought one in the last decade, you will have the discount available. Just make sure the product is registered in your account and then head to the upgrade program page to claim your discount.

You will also see that there's an option to print a shipping label to send your current item back. However, you don't actually need to do a trade-in to get the discount. That's only if you want to send it back so it's recycled or if you no longer need it.

Me? I would just hold onto any existing items, as they will continue working as normal, so you can use them in another room or give them away to someone else who will make use of them if you want.

Sony's social media team are having a rough week: anything they post is getting piled on by angry gamers who are outraged by Sony's plans to stop the production of game discs.

Many PlayStation owners are vowing to boycott the PlayStation Store, cancel their PlayStation Plus membership and never buy PlayStation products again.

It's a PR nightmare for sure, with pretty much any online PlayStation content becoming a place for gamers to protest, derailing any attempt to talk about anything else.

It reminds me of the response to Sonos' introduction of a new and hugely flawed app, which Sonos now admits was badly done.

Sonos' PR nightmare lasted for around 18 months, there is now optimism and rebuilt trust around the new changes it's bringing to improve the app. Could Sony learn from Sonos' experience and its attempts to rebuild customer trust?

I think the answer is: yes it could, but no it won't.

What Sonos got right and Sony probably won't

Speaking to TechRadar earlier this year, Sonos CEO Tom Conrad set out his views on how to try and make angry customers happy again. "You just have to show up in people's life with some humility and do the hard work of earning their trust back through great execution, great product, great software, great experiences, and never forget what you put people through."

So far, Sony isn't doing that: rather than respond to gamers' concerns, it's battening down the hatches and staying silent about its move to digital-only. And that's a shame, because there are genuine reasons for gamers to worry about Sony's decision.

There are three key concerns about digital-only. The first, and I think the most important, is cost. The PlayStation Store is ludicrously expensive: for example Spider-Man 2, a three-year-old game, is £69.99 digital today in the UK, where I'm based. Competition between retailers means it's around £37 on disc.

The second is second-hand gaming. I buy many games second-hand, and many gamers like to sell their games after they've completed them or got annoyed by them, so that they can spend what they recoup on more new games (a win for the industry overall). So I can buy Returnal for about £20 on eBay. I can't buy the digital edition second-hand, so if I want the digital version it's… you guessed it, £69.99.

To be fair, you can get both games, and others, on PlayStation Plus Extra. But not everyone wants or can sustain yet another subscription, and we know that all subscription services go up in price — often dramatically so, as we saw with Xbox Game Pass last year.

And the third is ownership. Sony's disc announcement came just days after it deleted customers' purchased copies of over 500 movies, making it clear that purchasing doesn't mean owning forever. And those movies cost a lot less than £69.99.

Sony may have to eat humble pie for a while in order to mimic Sonos here, seeking out customer views to talk about those concerns, and maybe thinking about how to address them — so for example it could tell us that digital codes would still be sold through multiple retailers, like Nintendo does with its key cards, or that we'd be able to resell our digital-only games (even if it hasn't developed the mechanism for this yet).

However, the reality is that for a firm the size of Sony, even a significant customer backlash such as 246,586 signatures on a petition represents a microscopic proportion of its 125 million PlayStation Plus subscribers, let alone the many more PlayStation owners — and it can afford to ignore them.

That's something of a gamble. Just ask Microsoft, whose Game Pass price hike scared off far more customers than expected — according to reports, it lost 4 million out of 34 million Game Pass subscribers when it was expecting huge growth instead, forcing a partial reversal.

But Sony's gaming business is far bigger, and that means it can still upset a lot of customers without feeling much pain.

I suspect Sony is going to take a different lesson from the Sonos situation: even at the height of customer anger, Sonos still sold lots of speakers, soundbars and subs.

Then again, maybe Sony is more rattled than it's currently letting on. Two days after the digital-only announcement, with customers raging online, Sony CEO Hiroki Totoki sold more than half of his Sony stock and Sony's chief strategy officer unloaded a bunch of Sony shares too.

Sony Bravia Theater Bar 7 review

I’m not going to sugar-coat this. I’ve been a big fan of Sony’s soundbars, but its latest generation can feel like a step backward, and that includes the Sony Bravia Theater Bar 7.

I genuinely like some of the choices Sony has made: these new speakers are simple and elegant, becoming one with your room. They’ve also got a much smaller footprint, making placement (both in front of a TV and on a wall) much easier.

The included remote has fewer buttons, giving it a friendlier feel than the previous models. And Sony’s 360 Spatial Sound Mapping might be the easiest room correction feature ever baked into a soundbar.

You get an HDMI input for passthrough as well as the HDMI eARC connection to the TV, which is a soundbar feature that’s becoming harder to find; it comes with every cable you need, plus a wallmount kit; and you no longer need to spend $1,000 to get up-firing drivers (an essential ingredient for convincing Dolby Atmos sound). They’re included in the $869 / £699 / AU$1,199 Bravia Theater Bar 7.

And yet despite these benefits, the Bravia Theater Bar 7 (AKA model HT-A7100) nixes some of my favorite features from the previous generation.

There’s no built-in subwoofer, no on-screen setup menus, no alphanumeric front display, no hi-res Bluetooth codecs, no ability to connect wireless headphones, no Chromecast support, no Google Assistant/Amazon Alexa compatibility, and no playback via USB storage or UPnP (for streaming music from a networked server).

Of these omissions, the one I noticed most is the lack of a built-in subwoofer. While it’s true that too much low-frequency sound can be, at times, unwanted — for instance, if you’re a condo-dweller with thin walls between units — I believe that’s a good problem to have. You can always dial the bass down if the neighbors complain. But not having enough bass to start with? That’s tough to accept, especially at this price.

It’s not that the Bar 7 has no low-end; it does. It’s just that it doesn’t get low or loud enough to provide what I think of as a truly cinematic experience, even with the available bass adjustment set to ‘max’.

The obvious and easy way to overcome this limitation is to buy the Bar 7 with Sony’s Bravia Theater Sub 7 wireless subwoofer, a combo that only costs $230 / £100 more. If you buy the Theater Sub 7 after the fact, it will cost you $329 / £249 / AU$299. Sony sent me a Sub 7 to test, and it does the trick, restoring the weight and punch that the Bar 7 lacks.

Still, if bass isn’t your thing, the Theater Bar 7 delivers crystal-clear mids and highs, and can do so at volume levels that are shockingly loud. Dialogue is crisp and well separated from the rest of the soundtrack. Sony deserves top marks for this — poor dialogue clarity has become something of an epidemic in the last decade, and the Theater Bar 7 really helps.

With dedicated up-firing drivers for height channels and side-firing units designed to bounce rear channel sound to your listening position, the Theater Bar 7 should deliver a compelling, immersive experience, especially when playing Dolby Atmos or DTS:X content.

I don’t want to be too harsh in my analysis; the Theater Bar 7 definitely creates a soundstage that is taller, wider, and deeper than non-Dolby Atmos speakers, but given its price, I expected more.

I use a number of different test clips when evaluating spatial immersion, such as the Aston Martin chase scene from No Time To Die, the opening of Mad Max: Fury Road, and the first sandworm reveal from Dune.

The Theater Bar 7’s strengths (its clarity and power) created a strong sense of energy and immediacy — both vital elements for enjoying cinematic sound — but these couldn’t overcome the soundbar’s struggles to place key effects like bullet impacts or whispery voices accurately in my space.

Normally, when a soundbar underperforms my expectations, I reach for the settings menus, where you can usually tweak everything from bass and treble to the levels of individual channels.

Unfortunately, Sony doesn’t provide any way to tweak the Bar 7’s tuning. There’s no equalizer, no set of bass/treble adjustments, and no EQ presets. If you find the sound signature too emphatic when it comes to the high frequencies (as I definitely do), there’s not much you can do about it.

All of this adds up to a soundbar that finds itself in the anti-Goldilocks zone. The less expensive Sony Bravia Theater Bar 6 may not be expandable, but out of the box it can deliver more cinematic punch thanks to the included wireless sub.

By the same token, if you spend just a little more than the price of the Theater Bar 7, you can get the Bravia Theater Bar 8. With its built-in sub, you get all of the sleek, single-speaker appeal of the Bar 7, with genuinely good low-end bass (and lots of expansion options).

Sony Bravia Theater Bar 7 review: Price & release date

• Released April 2026 (US), May 2026 (UK), July 2026 (Australia)
• $869.99 / £699 / AU$1,199

As the name suggests, Sony has priced the Bravia Theater Bar 7 to sit between the existing Theater Bar 6 ($699.99) and the Theater Bar 8 ($999.99).

While the Theater Bar 6 comes with its own subwoofer, it can’t be expanded later with optional surround speakers. If you want that, you’ll have to buy the more expensive Bravia Theater System 6, which comes with a sub and surrounds.

Both the Bravia Theater Bar 7 and Theater Bar 8 can be expanded with subs and/or surrounds, however the Theater Bar 8 has a built-in sub, which may provide enough low-end for some people (especially for those in apartments or other small spaces).

Sony Bravia Theater Bar 7 review: Specs

Should I buy Sony Bravia Theater Bar 7?

Buy it if...

Don't buy it if...

Sony Bravia Theater Bar 7 review: Also consider

How I tested Sony Bravia Theater Bar 7

• Used the Sony Bravia Theater Bar 7 as my main audio system for one week
• Tested in my basement media room
• Sources: Apple TV 4K, Nvidia Shield 2019, and streamed music from various apps

After setting up the Sony Bravia Theater Bar 7, I used it as my main audio system for watching movies, TV shows, and music in my basement media room. Over the course of a week, I played a variety of Dolby Atmos test clips from movies such as No Time To Die, Ford v Ferrari, Mad Max: Fury Road, Dune, and Unbroken. I took careful note of details like dialogue clarity, surround sound, and height channel immersion.

I streamed most content from an Apple TV 4K connected via an LG OLED TV, which fed the Theater Bar 7 from its ARC output. However, I also connected an Nvidia Shield TV to the soundbar’s HDMI input to test Dolby Atmos in Dolby TrueHD, and see what, if any video passthrough issues came up.

I evaluated the effect of Sony’s limited sound modes as well as its 360 Spatial Sound Mapping room correction feature.

For music, I used a variety of apps, including Apple Music, Tidal, Qobuz, and Amazon Music, listening to a wide range of genres and formats, like Dolby Atmos Music. Some were played from apps on the Apple TV 4K and Nvidia Shield, while others were streamed wirelessly using AirPlay and Bluetooth.

• Read TechRadar’s reviews guarantee
• First reviewed: July 2026

• People continue to build alternative Sonos apps with features Sonos hasn't offered
• Recent creations include customizable room correction that works with front surrounds
• Most aren't widely available, and are being shown in invite-only betas

In the last few months, Sonos has finally moved on from fixing its app's tech issues to improving it with new navigation and adding some useful new techy features, such as a key new network troubleshooting option.

But many Sonos users are just tired of waiting for long-requested features — such as the ability to add front surround speakers — so they're building their own alternatives instead.

We covered some user-created apps to improve the Sonos ecosystem not too long ago, and the list of available options continues to grow.

More Sonos apps than you can shake a soundbar at

First up there's "the app Sonos should have made" according to its creator: Somos InControl. It's an iOS remote for Sonos home theater products with custom EQ, saveable sound presets, surround height levels and music features too.

The big draws here are that it supports adding front left and right surround speakers, and the ability to save EQ options for different use cases — the example screen shot has slightly tweaked sound for 5.1 surround versus Dolby Atmos versus music listening that you instantly switch between. It's an Apple TestFlight work in progress so availability is limited, but it looks very impressive.

The app Sonos should have made. Try it for free. from r/sonos

Moosic is a self-hosted music server app that offers an alternative to Trueplay's room tuning, with the always-welcome ability to display charts of the room correction, plus more customization options for the tuning.

It also enables you to switch your Sonos configuration — such as switching a pair of Era 300s from working as rear speakers to working as stereo music speakers — but to keep separate room-tuning profiles for each configuration, which again is something Trueplay doesn't offer.

If you're wondering why not just use TruePlay, creator AffectionateFox5907 explains: "Sonos does not provide a way to switch between home theatre and music setup seamlessly. My app does, but as part of that I lose Trueplay. When you unbond and rebond a speaker, each time it will lose its Trueplay configuration. My app basically builds a better Sonos app that adds features I've been wanting for a while without having to have a bunch of different apps. This now works with multiple subs and should work with fronts added as well."

One of the big downsides of using third-party apps that add front surrounds is that it disables Trueplay, so this is a win for people coloring outside the usual Sonos surround lines.

It also looks ideal for anyone who's found using their home theater for music to be a bit of a pain, and there are plenty of people who do: there's a whole Reddit thread asking for a simple switch between movie mode and music mode without having to reconfigure your system every time you do it.

I built my own version of "Trueplay" from r/sonos

Last but not least, MajorAtmosphere has created Kyuu (pronounced "queue"), an iOS Sonos controller that enables you to use UPnP for local files, which the Sonos app doesn't support.

As they explain: "Kyuu runs a lightweight local server that handles speaker discovery via SSDP, polls playback state, and sends commands directly to your speakers. The iOS app talks to that server over your LAN — no cloud, no Sonos account, no external dependencies."

I built a local-first Sonos controller iOS app using the UPnP API — no account required [Beta] from r/sonos

• Dire Straits' keyboardist/producer Guy Fletcher post about mixing their albums in Dolby Atmos
• He says immersive mixing of the original recording sessions is "quite addictive" and often very emotional
• 3D audio can reveal details that were previously buried when engineering for stereo

One of the things I love most about audio technology is how it can reveal things you've never heard before either because they were buried in the mix or because your setup, speakers or headphones weren't delivering all the detail.

And according to Dire Straits' keyboardist and producer Guy Fletcher, Dolby Atmos is delivering revelation after revelation not just to music fans, but to the musicians and producers who made the records in the first place.

The majority of records are made with stereo in mind, and according to Fletcher "stereo remains an extraordinary format". But as he explains on LinkedIn, redoing a stereo record for Atmos enables you to rediscover "the little things that get sacrificed along the way when you're making a stereo record. The tiny details. The decisions nobody notices because they're buried beneath more important decisions."

Fletcher makes an intriguing claim. Taking a stereo record and making it three-dimensional isn't about making it sound the same; "it's more to do with matching the emotional impact" as he says. It's not what you hear. It's what you feel.

What immersive audio delivers – and doesn't quite deliver

I think Fletcher is correct, and I'm going to compare audio to another art form: video games. I've been replaying some very old favorites recently and I'm amused by how terrible the graphics are; in my memories, those games were photorealistic as well as utterly compelling. When those games are remastered to higher visual quality they're effectively enabling me to play what I remember, not what I actually saw.

As Fletcher describes it, taking recordings into spatial audio does much the same. "The moment you begin placing objects or building beds around the listener, the music seems to breathe and expand. Mix or bus compression suddenly seems rather pointless. Sounds are no longer confined to a flat line between two speakers. Instead, they occupy a living, sculptural environment with depth, height and dimension."

It's not perfect by any means, because people listen to Atmos and other spatial audio on all kinds of different hardware that may be suboptimal: headphones, soundbars, and a range of speaker systems that don't deliver the full experience.

"Creating extraordinary Atmos mixes is no longer the obstacle," Fletcher says. "The real challenge is ensuring that the sense of space, scale and emotional impact that makes immersive mixing so exhilarating, can be faithfully experienced by the vast majority of listeners who do not own a dedicated Atmos speaker system.

Fletcher describes spatializing Dire Straits' biggest hit album, Brothers in Arms, whose original multi-tracks took him straight back to the recording studio in 1984. Although the album had previously been remastered for 5.1 audio, the Atmos edition still required extensive detective work as well as painstaking restoration.

"The real challenge lay in respecting an album that has become woven into the lives of millions of listeners," Fletcher recalls. "While 5.1 and Atmos share some similarities, Atmos offers a very different creative canvas. The challenge was never technical — the challenge was emotional."

For Fletcher, "Atmos has a curious ability to reveal not just the details within a recording, but also the memories embedded within it. In that respect, at its best, the spatial audio experience is as much about rediscovery as it is about technology."

Of course Atmos doesn't guarantee a mix is good: the record industry is very good at remastering records as a quick cash grab, and there are plenty of famous records by big artists whose remasters caused howls of outrage. But when an album is approached with care, patience and above all else, a love of the original material, the move to 3D can make songs sing even more beautifully.

I’ve tested more than 20 soundbars during my years of reviewing tech and audio products at TechRadar, many of which have performed brilliantly, while some… it’s best we don’t talk about them.

Although I’ve tested some premium surround-sound options such as the LG Sound Suite Immersive Suite 7 Pro and JBL Bar 1300MK2, I’ve also tested a lot of budget-friendly, affordable options. And today, I’m here to share some of the very best affordable models I’ve tested, so you can upgrade from basic TV audio or enter into the world of cinematic Dolby Atmos home entertainment without breaking the bank.

I’ve picked out a range of options, from an ultra-cheap 2.0 channel bar, all the way up to a multi-box combo with Dolby Atmos and Wi-Fi streaming. There really is something for everyone in this list, so without further ado, let’s get into my top picks.

1. Sony HT-S100F / HT-SF150

Whenever a big sale comes around, I always plug the Sony HT-S100F — also known as the Sony HT-SF150 in some markets, including the UK. Why? Well, it’s because Sony created the ideal affordable audio upgrade for anyone frustrated by unpleasant TV sound.

This one-box 2.0 channel soundbar produces solid clarity and width, with well-defined dialogue, and a built-in bass reflex speaker for enhanced low-end performance. It also makes use of Sony’s proprietary S-Force Front Surround virtual processing, which creates the impression of three-dimensional audio to impressive effect.

With HDMI, digital optical, USB, and Bluetooth connectivity, there are so many ways to enjoy sound on the HT-S100F, and it’s incredibly quick and easy to set up too.

Of course, you’re not going to get the thumping, cinematic bass that larger models can offer, and there’s no Dolby Atmos here either. But if you want clearer sound at an ultra-low price, then the Sony HT-S100F is still one of the very best options on the market.

2. Klipsch Flexus Core 100

Moving onto a Dolby Atmos soundbar now with the Klipsch Flexus Core 100. This 2.1 channel model is a great performer, with impactful, striking bass output, accurate dialogue reproduction, and impressive power.

Like the aforementioned Sony option, the Flexus Core 100 is also very simple to set up, and its LED display makes it incredibly easy to flick between various modes and options. There’s also a remote included in the box, as well as an awesome companion app which is free to download and super-responsive.

Although there are some limitations in terms of height, the Flexus Core 100 delivers admirable width when watching movies in Dolby Atmos, and when I watched a 4K UHD Blu-ray of The Mask, the titular character’s cartoonish spin sounded as if it was coming from the corners of our testing space.

While an alternative like the Marshall Heston 60 may offer sharper Atmos effects and stronger all-round quality, the Flexus Core 100 is often on-sale for far less than this model, which is a very capable alternative. This Klipsch bar’s talents in the bass department alone make it well-worth considering — especially if you just need a step-up from thin-sounding TV audio.

3. Sonos Beam Gen 2

OK, shifting up a gear once more, and I’ve simply got to shout out the Sonos Beam Gen 2. This small soundbar may not be the newest, but it’s still sensational. Sure, Sonos owners will get the beauty of multi-room capabilities, and there’s Wi-Fi streaming here too, which makes streaming music from your phone incredibly seamless. But that’s not even the best part.

See, the thing that really stands out about the Sonos Beam Gen 2 is its ability to conjure up almost thunderous bass, in spite of its limited confines. Even when testing it against the newer Marshall Heston 60, I found the Beam Gen 2 to offer more dynamic, and more immersive low-end sound, with high-octane action scenes and sudden jump-scares in horror movies hitting with striking impact.

On top of this, the Beam Gen 2 serves up crystal-clear dialogue, commendable musicality, and Dolby Atmos capabilities. If you want, you can also customize the model’s sound via the Sonos companion app.

What’s more, the Beam 2 looks absolutely gorgeous, with a modern, minimalist aesthetic that I can’t get enough of. If you’re short on space, have a smaller TV, or don’t want to spend all too much, then the Sonos Beam Gen 2 is a ridiculously easy recommendation to make.

4. Samsung HW-Q800F

Finally, we have the best overall choice in our guide to the best soundbars: the Samsung HW-Q800F. And this soundbar isn’t only one of the best affordable options out there, it’s simply one of the best soundbars I’ve ever tested here at TechRadar.

The Q800F is a soundbar-subwoofer combo that delivers incredible value for money. You get seriously convincing, multi-dimensional Dolby Atmos and DTS:X effects, and even height effects come through well — something a lot of Atmos soundbars struggle with. You also get seismic bass from the compact sub, crystal clear dialogue from the main bar, and precise, controlled treble.

In addition, the Q800F is crammed with connectivity options, with HDMI eARC, digital optical, Bluetooth, Wi-Fi, and even an HDMI input for your games consoles, streaming devices, and more. The sub and soundbar are also paired right out of the box, making your set up phenomenally straightforward.

Yes, the Q800F is a little pricier than the other entries in this list, but you can often find it on sale for far less than its initial list price of $1,099 / £799, which was already strong value considering the quality of this model’s audio, build, and feature-set.

It’s finally happened. The soundbar I use everyday at home just got a juicy discount, and there really is no better time to snap it up. That’s right, the Marshall Heston 120 is available for £699 (was £899) at Currys. The Heston 120 is an excellent 5.1.2 all-in-one soundbar that oozes style and produces amazing audio — for both movies and music.

• Browse Currys full epic deals sale

Oh, and what’s more, its smaller sibling, the Marshall Heston 60 is also on sale. You can grab the Heston 60 for £399 (was £499) at Currys right now, which is an excellent price given that it's one of the best Dolby Atmos soundbars in the small size-class.

Although Amazon Prime Day is imminent, these Marshall soundbar deals are easy recommendations. I’ve been using the Heston 120 for more than a year now, and it's served me brilliantly, and I personally tested the Heston 60 too, even comparing it against top-tier rivals like the Sonos Beam Gen 2. Want to hear more about these deals? Here’s the lowdown.

Today's best Marshall Heston 120 deal

Today's best Marshall Heston 60 deal

In my Marshall Heston 120 review last year, I described it as an all-in-one soundbar that's "hard to beat," praising its clear dialogue, strong Dolby Atmos effects, and impressive bass response. Seriously, for a standalone model, the Heston 120 can whip up seriously powerful low-end, although you can enhance this even more by grabbing the Marshall Heston Sub 200.

One of the main reasons I've continued to choose the Heston 120 over the red-hot competition, is that I live on the top floor of an apartment block, so having an earth-shaking sub isn't exactly ideal. With the Heston 120, I get impactful low-end and stellar all-round quality without compromising the sanity of my neighbors. It also slots into my limited space beautifully, and its amp-inspired style makes it the perfect centerpiece.

But if you're working with even less space, then you can't go wrong with this model's younger sibling. Yes, when I reviewed the Marshall Heston 60, it honestly took me by surprise. And that's mainly because its Dolby Atmos performance was far more convincing than I'd expected for a compact soundbar.

When watching 4K Blu-rays, the Heston 60 effortlessly tracked the on-screen action, and conjured up a surprisingly wide soundstage. OK, height effects aren't as impressive as on the Heston 120, but Atmos is generally stronger than I've heard from other top competitors like the Sonos Beam Gen 2.

Both soundbars also offer great musicality — especially the Marshall Heston 120. This is something that a lot of soundbars get wrong, but the Heston models offer delicious depth, a nuanced soundstage, and plenty of detail right across the frequency range.

At this cut-price, you really can't go wrong with the Marshall Heston 120 — it sounds just as beautiful as it looks, and it even has a gigantic range of connectivity options, with everything from HDMI eARC and Wi-Fi through to RCA and Bluetooth. The Heston 60 is also a spectacular small soundbar that can easily slot into any space, and I'd recommend almost as highly as its larger counterpart.

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