Fujifilm is widely known for its viral X100VI premium compact and Instax instant cameras like the new Mini 13. It also makes some of the best crop sensor (APS-C) mirrorless cameras around, with a similar retro appeal.

Models like the X-T5, X-H2S, X-E5 and X-M5 all come from series of cameras that scratch different itches, whether that’s high-speed action, street photography or vlogging. They all share the X-mount, which debuted in 2012 with the unveiling of the X-Pro 1.

Since then, Fujifilm has launched over 30 cameras and 40 lenses for its X-mount system, with several third party brands including Sigma, Viltrox and Thypoch also offering affordable X-mount lens alternatives. Users truly are spoilt for choice.

There are stunning bright aperture primes, versatile zooms and even pro-quality supertelephoto optics, covering just about any shooting scenario you can think of. Fujifilm makes prime and zoom lenses across wide-angle, standard and telephoto focal lengths.

Which lenses do I recommend in 2026 for your Fujifilm camera? The answer of course depends on what your needs are, but I’ve attempted to cover all bases here with some of my personal favorites, in an easily navigable gear roundup. Let's start with wide-angle...

Wide-angle lenses

This section covers lenses that span the equivalent focal length up to 40.5mm — culminating with the XF 27mm F2.8 R WR, which is probably Fujifilm's smallest lens, and ideal for everyday photography.

I had to include a XF 23mm lens, which is a 35mm equivalent and the classic focal length for reportage photography. It's also the lens used by the company’s viral X100 premium compact series. I went for the premium f/1.4 version, but there are cheaper f/2 and f/2.8 alternatives.

Fujifilm’s widest lens, besides its 8mm F3.5 fisheye, is the stellar XF 8-16mm F2.8, a dreamy landscape photography zoom. I’ve also included two zoom lenses that begin at the wide-angle range but span into the standard and telephoto focal ranges too. There's the seriously sharp 16-55mm F2.8 R LM WR II (you can pick up a surprisingly good 18-55mm F2.8-4 kit lens if the pro version is beyond your budget), and the 16-80mm F4 R OIS WR, which, with its equivalent 24-120mm focal length and compact build, is an ideal travel zoom lens. Need a broader zoom range? Check out the 18-135mm F3.5-5.6 travel zoom.

Standard focal length

Here we have lenses spanning from 45mm to 90mm equivalent focal length. This range starts at a perspective similar to what the human eye sees (your focus of attention), through to the classic head-and-shoulders portraiture range, and a pro standard to telephoto zoom.

There's the affordable 35mm F2 R WR 'nifty fifty', or the XF33mmF1.4 R LM WR if you want a premium alternative. Fujifilm's top portrait lens has to be the 56mm F1.2, while macro photographers will be well served by the 60mm F2.4 R Macro. Wedding and event photographers will love the versatility and quality of the 50-140mm F2.8, even if it is a weighty lens.

Telephoto

I’ve started the telephoto focal length range from an equivalent 120mm, going up to Fujifilm’s sport and wildlife super telephoto optics. The first lens is probably the macro lens in Fujifilm's range: the 80mm F2.8. After that, Fujifilm's versatile telephoto to super-telephoto 100-400mm zoom, while the recent 400mm F4.5 super-telephoto prime is a dream for wildlife photographers, especially birders.

Fujifilm's longest lens is the 500mm F5.6 (equivalent 750mm), which shares the same design blueprint and optical quality as the more recent 400mm F4.5. These lenses are compatible with Fujifilm's teleconverter, for photographers who wish to further extend the already impressive reach.

Did you know?

In March 2026, Fujifilm did a livestream where two of its engineers unpacked a selection of 14 lens concepts and asked viewers to vote on their favorites — the ones they would like to see become a reality. Over 70,000 votes later, the most popular lens concept was the XF 16-80mm F2.8 with 16.4% of the votes, followed closely by the XF 18-50mm F1.4 with 15.9%.

Fujifilm did not guarantee actually making any of these lenses, but you would hope that the fact they were presented as suggests means that is possible, and that Fujifilm would take viewers' votes into serious consideration.

Official voting closed two weeks after the livestream, so the chance to have your say has long gone. But I'm interested which of the top voted-for lenses appeal to you the most. I've included the top 4 from the 14-strong list — do pick your favorite in the poll below!

• The Z5 II C is a lighter version of the full-frame Nikon Z5 II, without a viewfinder
• Prices start at £1,349 / AU$2,399 (US pricing TBC), on-sale date mid-October
• It's available in black or black/silver colorways, and numerous lens kit options

Nikon redefined entry-level full-frame cameras with the Z5 II, which scooped our Camera of the Year 2025 award. Now the company is upending the notion that full-frame is just for pros with its most affordable and compact model in this format yet, the Z5 II C.

As its name suggests, the Z5 II C is a ‘compact’ version of the Z5 II, and the key difference is that it doesn’t have a viewfinder (and it has a single card slot rather than dual slots). This means the ‘C’ model is smaller, lighter and cheaper.

It still has a tough magnesium-alloy body with a chunky grip, is sealed for dust and moisture resistance, and packs a healthy 3.2-inch, 2.1m-dot vari-angle LCD, all carried over from the Z5 II. The cameras share identical features too; the same 24.5MP full-frame sensor with image stabilization that’s rated up to 7.5EV.

Nikon UK's Training Specialist Ricci Chera briefed me on the camera ahead of its September 24 announcement and mid-October on-sale date, emphasizing that the Z5 II C is about choice, offering certain users the “benefits of full-frame, without paying for something they’re never going to use [a viewfinder]”.

Is Nikon onto something here? Is the £1,349 / AU$2,399 asking price (I'll update this article with US pricing when I have it) enough of a gap to tempt first-time buyers, or sway them from the Z5 II?

So, full-frame is for beginners now?

The low £1,349 / AU$2,399 asking price of the ‘C’ version seems pretty appealing, especially given the spec and features you're getting: the Z5 II C has the same sensor as the Z5 II and Nikon’s latest processor, while its subject-detection autofocus can recognize subjects even when they take up as little as 3% of the frame, and which is low-light sensitive to -10EV (with a new ‘fish’ detection mode added — that’s a first),

There's also 14fps with a mechanical shutter (30fps electronic) and 4K video with 12-bit N-RAW internal recording, and much more. Besides the Lumix S9, I can't think of a better-value full-frame camera, and not one that launched for such a low price.

The price and compact size are the major selling points of this full-frame model, which Nikon says is about offering users "choice" — the pricier and larger Z5 II with a viewfinder and dual card slots, or the cheaper and smaller viewfinder-less Z5 II C. I get the logic.

However, I’d still stump up the extra cash for the Z5 II — its viewfinder is bright, big and immersive, it has the extra card slot, and I personally don’t mind the extra size and 100g in weight (the Z5 II C is around 600g with card and battery inserted while the Z5 II is around 700g).

Video-first users and even smartphone upgraders who've never experienced a viewfinder might not feel the same way, and for them the Z5 II C could prove to be the wiser choice, and one of the hits of 2026. We'll bring you our review of Nikon's latest full-framer soon.

• Vivo launched the flagship X500 series of phones, with three new models
• A new monitoring screen comes in the X500 Pro Max photographer's kit, or it can be purchased separately
• At launch, all the phones and accessories are China-only, with a wider rollout TBD

Vivo quietly launched a really neat accessory alongside its new flagship X500 series of phones — an ultra-slim and light Bluetooth monitoring touchscreen — and, having paired it with the new X500 Pro Max, I wish it were compatible with my phone.

The monitoring touchscreen, aka a selfie screen, mirrors your phone's camera app, complete with touchscreen control over key camera settings and subject tracking, and can be attached to the phone magnetically or used as a remote monitor within its Bluetooth range.

Why not just use your phone's selfie camera instead, you ask? Well, the quality of the rear-facing selfie camera is always inferior to the front-facing cameras, as are the camera settings available.

A selfie screen, on the other hand, unleashes the device's superior front cameras — in the case of the Vivo X500 Pro Max, a triple array including a 50MP main camera and a 200MP 3.5x telephoto camera.

We've seen this kind of selfie screen tech before; Insta360's Snap Selfie Screen comes to mind. However, it needs a cable to connect to a phone, it has an annoying protective cover that flaps around when the screen is in use, and the display is smaller and harder to see. The new Vivo accessory, however, is better and more sophisticated in every way.

The best mobile accessory for 2026 so far?

Vloggers should take note of Vivo's new selfie screen. For one, it can snap onto the device magnetically, or be used by hand, so long as a Bluetooth connection is possible. No cable needed.

Used as a remote monitor, you can position your phone somewhere, say, on a tripod, and then walk into the shot and see what your phone is seeing, no cameraperson needed. (Great for group photos as well, by the way.)

It's clearly a trend — the Insta360 Luna Ultra vlogging camera features a removable touchscreen and controller module (which also has a built-in mic), while DJI launched a remote controller with a screen for its Pocket 4 series.

Whether used remotely or attached magnetically, the Vivo selfie screen's 3.92-inch AMOLED display with 419 pixels per inch (PPI) is clear and crisp. It’s also super light and thin, measuring just 5.65mm thick and weighing 68g — you'll barely feel it on the phone.

It has a USB-C port for charging, plus three side buttons, including a recording button and one for adjusting the screen's brightness levels. Otherwise, that's it.

What's unclear at this stage is which devices are compatible with the monitoring screen, besides the Vivo X500 series, if any.

There’s one major drawback to using it with the Vivo X500 Pro Max — neither device is MagSafe, meaning you need a dedicated case for the phone and monitor for them to stick together!

Vivo sells a case (and the monitor) separately, or they're included in a photographer’s kit which also includes two teleconverter lenses. Meanwhile, the monitor is supplied with a magnetic MagSafe-style rubber case. Vivo says the monitor costs 699 Chinese Yuan (a price conversion is $105 / £78 approximately, though international pricing will be higher).

Compared to the other similar devices I've tried, I found the Vivo vlogging monitor lighter, has a clearer display, and I appreciated its wireless connectivity, with options for remote or MagSafe-styler setups.

If you ever shoot selfie content and wish you could more easily use your phone’s superior front camera, then a selfie screen is a great option, and Vivo looks like it has just made the best one. If it turns out to be compatible with your device, then it could be the best phone accessory you buy all year — I'll update this page once I know more about the availability and compatibility of the screen.

• Vivo reveals its new flagship X500 series of phones, with three new models
• The X500 Pro Max is the priciest model, succeeding the X300 Ultra
• They're only available in China at launch, with wider availability coming later

It's no longer a secret that some of the best camera phones are coming out of China, and Vivo is very much competing with Oppo and Xiaomi with its flagship 'X' series — it has just revealed the latest crop; the X500, X500 Pro and X500 Pro Max.

I'm at the launch event in Shanghai, China, and have already had 24 hours with the Vivo X500 Pro Max, which effectively replaces last year's X300 Ultra. Like the previous flagship, it features a triple front camera array comprising ultra-wide, main, and telephoto Zeiss optics, only this time, the main lens has a 24mm focal length, like most other flagship wide cameras (whereas the X300 Ultra stood out with a tighter 35mm main camera lens).

The 3.5x telephoto lens has an 85mm equivalent focal length — a well-loved focal length by portrait photographers — and a mode which unleashes a 200MP resolution, while the 50MP boosted resolution is available for the ultra-wide and main cameras.

I'll be bringing you an in-depth camera comparison soon with the Vivo X500 Pro Max, Vivo X300 Ultra, and the Oppo Find X9 Ultra (a top camera phone from last year) soon, plus more details on the former. In the meantime, I've included some of my favorite photos that I've taken with the X500 Pro Max already, so you can begin to see what it's capable of.

The X500 series was announced on September 21 and, at launch, is exclusive to China, with a wider rollout expected later, although it's unlikely to come to the US. With the Oppo Find X9 Ultra and Xiaomi 17 Ultra, both now available in the UK, I'll be keeping an eye out for Vivo's release plans with the X500 models.

Vivo X500 Pro Max sample gallery

If you followed the release of the new Canon EOS R8 Mark II, you might be wondering what the feature pre-continuous shooting is, otherwise known as pre-capture (Sony and Nikon), Pro Capture (OM System), Pre-Burst (Panasonic) or Pre-shot ES (Fujifilm).

The feature has been around for a while now having been introduced by OM System (Olympus), and it’s slowly worked its way across brands and into affordable models, including the R8 II, Sony A7 V and Nikon Z5 II.

I'm here to explain pre-capture, and show you the benefit of this feature with images I wouldn’t have otherwise been able to capture without it. Let’s dive in.

What is pre-capture and how does it work?

Picture this — you’ve got your camera fixed on a subject, poised for the action to happen; athletes on the 100m start line, a kingfisher on a branch that could take flight at any moment, a potential goal in a soccer match.

Sometimes your reactions aren’t up to speed to capture the key moment, and it's gone before your finger has pressed the shutter button. It’s exactly these scenarios that pre-capture is designed for, and it's the feature that helped me get the images of birds in flight, where previously I’d have missed the moment or simply settled for ones of them perched on branches.

Pre-capture gives you up to a 1 second head start (depending on the model) before the shutter is pressed, continually shooting (to a temporary buffer) before you press the shutter button, at which point the images shot in the specified time before the shutter button was fully pressed are recorded retrospectively.

With pre-capture on, it's typically initiated by half pressing the shutter button (or fully pressing an assignable button, such as the autofocus button), as is the case with the Sony A7 V I used to take the pictures in this feature.

The Canon EOS R8 Mark II, for example, can shoot up to 40fps and offers up to 0.5 second pre-capture, meaning you can retrospectively record a 20 photo sequence in the half second before you press the shutter button. The Sony A7 V can shoot up to 30fps with up to 1 second pre-capture, so that’s up to 15 images.

How to use pre-capture effectively

I recently got into bird photography and it didn’t take me long to bag some beautiful photos of the varied birdlife in my local nature reserve and wetland, using some superb review gear — including the Sony 400-800mm F6.3-8 super telephoto zoom lens.

As enjoyable as this hobby is (and it really is), soon enough I was considering how I could mix up the kind of photos I was making, besides stationary birds on branches. Pre-capture came to mind. How about capturing photos of the birds taking flight?

Birds in flight is one of the toughest photography challenges — as I found out during a recent hands-on with the Fujifilm XF 400mm F4.5 R LM WR lens at a birds of prey experience. And that was when I had some idea of where the birds would be flying. But wild birds in flight? Nigh on impossible, I thought.

I chose the most appropriate autofocus mode (in this case bird subject detection), the continuous high drive mode (30fps), set a suitably fast shutter speed to freeze movement (1/1000sec, wasn't fast enough it turned out) and, of course, activated pre-capture. I started with the maximum time possible of 1 second, though the camera in question has options from 0.1 sec to 1 sec in full decimal points.

Pre-capture helped me get the shots you see in this article, but there were a couple more non-technical ingredients in the recipe: an eye for the shot and, ultimately, patience.

Once I had the composition and subject I liked, I kept the camera locked in with the shutter half pressed and waited for the bird to take flight. Many times the bird was content for several minutes, and I could feel my finger / thumb burning by the time it moved.

On my first attempt I thought I had missed the moment even with pre-capture active, but low and behold my slow reactions were redeemed.

I think my patience has paid off. Yes, the photos of the birds stationary are still lovely, but the ones of them in flight in an already well-composed scene take them to new heights.

There are plenty of other scenarios that benefit from pre-capture, and if you’re a keen sports or wildlife photographer it’s well worth trying out — I’ve included a list of recent cameras equipped with the feature, plus shopping links, below.

Cameras with pre-capture

The following cameras are listed as having each company's version of pre-capture:

• Canon EOS R1, EOS R5 Mark II, EOS R6 Mark II, EOS R6 Mark III, EOS R8 Mark II
• Nikon Z9, Nikon Z8, Nikon Z6 III, Nikon Z5 II, Nikon Z50 II
• Sony A9 III, Sony A1 II, Sony A7R VI, Sony A7 V
• OM System OM-1, OM1 Mark-II, OM-5 Mark II, Olympus OM-D E-M1 X, E-M1 Mark III, E-M1 Mark II, E-M5 Mark III, Tough TG-6, Tough TG-7
• Panasonic Lumix G9, Lumix G9 II, Lumix S5 II / X, Lumix S1 II, Lumix S1 II R
• Fujifilm X-T5, X-T4, X-T3, X-T30 III, X-T30 II, X-T30, X-H2S, X-H2, X-Pro3, X100VI