Paramount Skydance just "emerged victorious" reports Reuters, "from a legal battle over its $110 billion acquisition of Warner Bros Discovery" that will "dramatically concentrate power across Hollywood's film, TV, streaming and news businesses." The victory comes "after settling with a California-led group of US states and a Hollywood writers union, paving the way for one of the largest media mergers in history." Paramount agreed to abide by temporary film quotas and a news oversight committee, avoiding a forced sale of cable assets such as CNN or any of its lucrative film franchises... The Writers Guild of America settled its parallel case against Paramount, while saying it still believes the deal will damage the industry. The states' settlement forced the union to "contend with the reality of forging ahead alone, with no backing from government enforcers" in a complex case that would have cost millions of dollars... Paramount promised in the state settlement to bring more film production to the US — spending at least $300 million more each year in domestic production — and adhere to US theatrical release quotas for five years. The company will produce 30 movies in each of the first two years of the deal, and 32 movies in each of the following three years, Bonta said. Each year, at least four of those films must be independent films and at least 20% must be blockbusters. If it falls below that threshold, it will pay $30 million per film, most of it into funds to support workers. Paramount also promised not to raise rates on theater operators for three years. The article notes that California attorney general Rob Bonta still said "I don't think these two companies should merge" at a press conference announcing the settlement, "but that's not something that we are focused on with our resolution here." He call their agreement "a strong antitrust outcome." And Politico notes that Bonta acknowledged at the press conference that "Some of you who may be watching this may have wanted a different outcome. I understand that." But he argued he'd reached a settlement capable of "providing more film production that protects Hollywood workers and their livelihoods, that places guardrails allowing for robust cable negotiations, that protects competition and creates more choice for consumers about what this merger could mean for the industry." It "resolves the antitrust concerns at the heart of our lawsuit against the company and Warner Brothers," he said... The agreement came as a disappointment to opponents of the transaction, including the Block the Merger Coalition, which cast the settlement as a sweetheart deal for Paramount Chief Executive David Ellison and his father, Oracle Co-Founder Larry Ellison, who is financially backstopping the acquisition. "This is a bad deal for the future of film, entertainment, independent journalism, and a strong democracy in this country," the coalition said in a statement. "We are disappointed and angry that the interests of average Americans have been trampled to benefit oligarch billionaires....." The $111 billion deal allows Paramount to combine its namesake streaming service with HBO Max, creating a new offering with about 200 million subscribers. That would help Paramount compete against companies such as Netflix, which boasts more than 325 million subscribers worldwide.

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A new streaming TV channel shows films made with genAI, reports Engadget. "Fairground AI Creator TV" is free — and supported with ads — describing its material as "AI Cinema": "AI-generated" can make it sound as though someone typed a sentence into a machine and came back five minutes later to find a finished movie. Fairground's catalog shows why that description can be too simple. Take Lost Garden: The Awakening of the Lantern Knight. According to its Fairground page, creator Frank Houbre wrote the world, characters, mythology, emotional arc and screenplay himself. AI tools were used mainly for animation and visual production, with other tools helping create voices and music before the episode was assembled in conventional video-editing software. There's still one question, the article notes: "whether viewers actually want an AI-focused TV channel." More than 100 AI creators have contributed to the 24-hour slate of programming, although Variety points out several of them were discovered on social media. The channel was recently profiled in an article by the Guardian. Its headline? "'Nightmare fodder': Roku's AI slop channel is even worse than expected." (And its subheading calls it "a 24/7 channel devoted to low-quality AI content for viewers sick of watching real people move...") What about people who hate plot and vision and the sight of people speaking convincing dialogue that synchronises perfectly with the movement of their lips? What about the people who just want to watch an unyielding torrent of eerily weightless nightmare fodder? Well, good news. Roku has finally caught up... Early reactions were, to put it mildly, not great. The Verge compared it to eating from a trough, while Futurism called it "bottom-of-the-barrel slop"... On the plus side, the channel is evidence that artificial intelligence has come on in leaps and bounds over the last couple of years... However, it is still awful. Categorically, catastrophically awful. The channel doesn't so much offer shows as a drifting dreamscape of bad ideas rendered as horribly as possible with no thought paid to scheduling. At one point on Wednesday, a shrill high-frequency anime gave way to a long and staid German-language short about Nazi bureaucracy. After that came a sort of Gladiator ripoff that had all the dynamism of an exhibit you'd see at the fourth-best museum on a poorly planned family holiday.

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TiVo is notifying customers about changes to "one of its longest-standing and most popular DVR features," reports the blog Cord Cutter News: Starting November 2, 2026, the current version of SkipMode that allows users to jump over commercial breaks with a single button press on the remote will no longer be available. The company is instead preparing to test a new paid add-on called Premium Auto Commercial Skip. SkipMode has been a core part of the TiVo experience for years. After a supported show finished recording, the service added markers that let viewers leap from the end of one program segment directly to the start of the next, bypassing the ads in between. On newer TiVo Experience 4 devices, users could even set the feature to automatic so commercials were skipped without any remote interaction. The feature was limited to popular prime-time programming on major networks, typically appearing a short time after a show aired. Under the new plan, that one-button and automatic functionality will disappear from the standard service. Viewers will still be able to skip commercials the traditional way by using the 30-second skip button or the fast-forward control on their remotes. Those manual methods have existed on TiVo boxes for more than two decades and do not rely on the company's commercial-detection data. In November, TiVo will offer a 30-day free trial of the new Premium Auto Commercial Skip service. After the trial ends, customers who want to keep the automatic or one-button skip capability will need to add it to their accounts for an extra monthly fee. The company has not yet published the price. Thanks to long-time Slashdot reader AmiMoJo for sharing the article.

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An anonymous reader quotes a report from TechCrunch: Several popular Samsung smart TV apps contain code that share the owner's internet connection with strangers, potentially putting millions of Samsung smart TVs at risk of hijacking, according to new security research published on Monday. Some of these apps claim to have been installed on hundreds of millions of smart TVs in people's homes, per the app developers. At least one of the smart TV apps was a simple Pac-Man game that Samsung had endorsed and prominently featured in its "Editor's Choice" section on customers' TV screens. These apps contain software that funnels outsiders' web traffic through ordinary home and office internet connections, known as residential proxy networks (or "resproxies"), which are increasingly being linked to cybercrime. When opened, apps with resproxy code can turn the smart TV into an always-on tunnel for outsiders to funnel their web traffic through, known as an exit node -- even when the app is no longer open. The security research by Norwegian cybersecurity company Mnemonic describes a perfect storm of problems that allows low-quality apps to proliferate across Samsung's app store, containing code that puts users at risk of having their internet connections tapped by a rogue app. Many of these apps are bare-bone shells, made from only a few lines of code, and are designed solely to load content from another website, such as a game. While such smart TV apps load content from another server, any review of these apps sees only the few lines of code within, and not necessarily the content itself. "What was reviewed is not necessarily what is running," wrote Harrison Sand, an offensive security consultant at Mnemonic. After TechCrunch contacted Samsung with a request for comment about the research, the electronics giant said in an emailed statement that it was banning apps that share their users' internet connections, and will remove apps that contain the functionality. "We have already restricted new app registrations that incorporate such proxy functionalities on our Smart TV platform," said a Samsung spokesperson. "We are currently implementing strict platform-wide developer policies explicitly banning residential proxy SDKs, and we are working to identify and remove all apps currently available in our store that contain these components." LG also recently announced plans to suspend apps containing ResProxy software after a security firm found that roughly 42% of apps in its TV app store allowed unknown third parties to route internet traffic through users' televisions without their knowledge.

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YouTube Premium will include Peacock Premium at no extra charge beginning in early 2027. "The deal brings a slew of premium content to the [$15.99 per month] YouTube Premium subscription, including live sports like the NFL, NBA and MLB and entertainment like Law & Order, Saturday Night Live and Love Island," reports The Hollywood Reporter. "It also has the potential to dramatically scale Peacock, which remains smaller than many of its streaming competitors." From the report: Peacock has 48 million subscribers, while YouTube Premium and YouTube Music have a combined 125 million subscribers, though they don't break out how many each of those offerings have. The agreement, which expands on the deal the company inked with YouTube parent company Google last year, will also extend the entertainment company's programming deal with YouTube TV, while bringing some of YouTube's offerings to Comcast Xfinity and Xumo platforms. There's also a notable sports and production element to the deal, with NBC Sports agreeing to stream some live sporting events on its YouTube channels, and with NBC agreeing to serve as the production partner for select live events on YouTube. YouTube will also bundle some of the company's International streaming offerings like Universal+ and Hayu in select markets.

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