Although Sheldon (Jim Parsons) and Leonard (Johnny Galecki) don't appear in the finale — remember, they built the multiversal machine that Stuart (Kevin Sussman) has been responsible for breaking, this season's finale takes us back to where it all began in a different way.
Indeed, as Kevin, Denise (Lauren Lapkus), Kripke (John Ross Bowie), and Bert (Brian Posehn) arrive in yet another alternate universe, they're confronted with others versions of themselves filming the HBO Max show in front of a live studio audience.
Aside from Georgie & Mandy's First Marriage, creators haven't used a sitcom studio multicam format since TBBT itself.... but the Easter eggs don't stop there.
For Posehn and Bowie, the entire thing was "surreal," but could it indicate more of what we can expect to see in the future, including the already greenlit SFtStU season 2?
'It felt like the old show but wildly different'
"Episode 10 definitely felt the most surreal for me," Posehn told me.
"It was interesting because it was the only time during the entire run of this show that we had a studio audience there," Bowie added. "It felt like a real mix of being like the old show, but also feeling wildly different."
"We were back on that same stage, weren't we? Stage 25," Posehn continuds. "That's our old stage, so that was really weird."
You heard correctly. As the gang point out, while leaving the live studio audience behind, they've been plopped onto Stage 25 on the Warner Bros. studio lot in Burbank, California. The stage was named lot is officially named "The Big Bang Theory Stage" in honor of the aforementioned sitcom's 10-season run.
Fun fact: Stage 25 is one of only five stages on the entire lot to be named after a show, with the other four being The Ellen DeGeneres Show, E.R., Friends, and Two and Half Men. Stage 25 is part of the public lot tour, but that's the closest we've been to reviving its TBBT spirit, until now.
"The whole thing was just extremely trippy and fun," Bowie agreed.
I hope more of these incredibly obvious tributes to the original series are made in Stuart Fails to Save the Universe season 2, purely for the fun and whimsy of it. I don't massively mind if Sheldon and Leonard never turn up, but I do want Chuck Lorre to bring George Cooper back to life... but that's another story.
All six episodes of The Split Up are now on BBC iPlayer and, in the best possible way, it feels a world apart from main series The Split. Both are about families involved in divorce law, but the shape of their family dynamics look entirely different.
The new spin-off follows the Kishan family firm, with Aria (Ritu Arya) poised to take over leadership from her father Dhruv (Sanjeev Bhaskar). However, the death of Aria's mother six months prior causes Dhruv to hesitate.
Add in a workplace love triangle, complicated siblings, and a messy divorce trial walking through their doors every week, and you've got a pretty delicious watch. But, I quickly wondered whether viewers would become preoccupied with the show's (excellent) South Asian representation — so much so that it overshadowed what actually happens in each episode.
Based on press and public reactions to its opening weekend, I was right. The Daily Mirror has reported that fans have "switched off" in droves, while comment section of the YouTube trailer (which you can catch up with below) is sporting exactly the kind of racist rubbish you'd expect from the internet.
However, before any episodes were released, I asked the cast how they felt about others making The Split Up's focal point its representation — and, as expected, their answers were even more insightful than I could have expected.
'The Split Up goes beyond representation'
"Ursula [Rani Sarma, writer] beautifully said that The Split Up goes beyond representation, and there's a universality in how we all feel human," star Arya told me. "I couldn't agree more. It's all about how we bring our authentic selves to the table... I find that a lot more interesting to talk about."
I love how simple yet effective this answer is, but it's Bhaskar's take that I'm the most interested in. Long-time fans of his will know that he was the star and co-creator of the 2001 comedy chat show The Kumars at No. 42, which followed a British Indian family supporting the fictional Sanjeev's dreams to be a TV presenter.
More than two decades on, I still can't believe that Meera Syal, who later married Bhaskar, was the woman playing his grandmother.
"I've got some experience in terms of representation versus family because of The Kumars at No. 42," he said. "That did pretty well around the world even though it was about a British Asian family interviewing guests in their London home. The reason for that was because it was a family... and everyone understands that.
"In terms of people tuning into The Split Up, if they decide to look at representation, that's more of a political issue. Most people will see a family and see themselves reflected in that. The Split did so well, and at no point did I watch it and think of it as a matriarch having nothing to do with me. I watched it as a drama. I think people who will enjoy this will not be thinking about representation."
I couldn't have said it any better myself — and trust me, The Split Up is a drama not to be missed.
Whether it's at work or with my family, all I've been talking about recently is shocking six-part ITV crime drama The Blame.
Led by Michelle Keegan and Douglas Booth, it follows the murder of a teenage skater, which not only draws detectives down a dark, treacherous path, but also forces them to investigate their own team.
The call is coming from inside the house, as the kids say. DI Emma Clare (Keegan) is not just the only member of the force to work out what's really going on, but she's the only person brave enough to call out (the fictional) Wakestead police force on its biggest issue: misogyny.
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I won't lie to you, it's a really difficult watch. The Blame's approach to its subject matter is incredible heavy-handed, but I think it needs to be. However, if you need some time out — or to swap to a crime drama that doesn't feel as bitingly real — I've got you covered.
In fact, Keegan and Booth are the ones that have you covered. If you're looking for more of the same vibe, they've got the perfect recommendation for you to stream next. Not only can you watch it for free, but there's a hidden link between the two shows.
The Blame on ITV is secretly linked to BBC's Happy Valley — and it's what you need to stream next
"That's a hard question," Booth responded, before he added: "Just because it's my favourite one and Nicola [Schindler] produced it, Happy Valley, but they're obviously very different. It has another great female lead at the heart of it."
To me, that's an understatement. The UK market is flush with cimpeccable crime dramas, but Sally Wainwright's Happy Valley might just be the best of the 21st century so far (at least, it is according to me).
Available to stream for free on BBC iPlayer or on Netflix internationally, we follow West Yorkshire police sergeant Catherine Cawood (Sarah Lancashire) as she balances local crime in Calderdale with her fierce pursuit of Tommy Lee Royce (James Norton), the violent criminal she holds responsible for her daughter's suicide.
It's fast-paced, quintessentially Yorkshire, and gritty at every turn — to the point where it's almost unbelievable what one woman can physically and mentally endure.
What's even better is the hidden link that Happy Valley has with The Blame.
"We had Lisa Farrand, who was a police advisor," Keegan explained. "She was with us for the interrogation and investigation scenes, where we were out looking for the body, things like that. She was brilliant. Very matter of fact, and if something wasn't working, she would pull it up straight away, speak to the director, and sort of steer us and help navigate the scene.
"She worked on Happy Valley and actually Catherine Cawood was loosely based on her. She's a real character... a tough cookie."
If Catherine Cawood herself isn't a good enough sign of a crime drama being unmissable, I don't know what is. Maybe give yourself some breathing space in between them both, though.
While everyone else at school was dreaming about their future spouse and white wedding, I was dreaming about my future friends. I didn't have the platonic relationships I was told I would have by popular 2000s kids TV shows like The Sleepover Club, with my friends and I braiding each other's hair and spilling all of their secrets.
Watching The Love Hypothesis on Prime Video brought the romance of that childhood dream flooding back. In fact, I think the new movie has got the love story at its core all wrong — this isn't a passionate affair between PHD student Olive (Lili Reinhart) and "evil" Doctor Adam (Tom Bateman), but an example of enduring connection between friends Olive and Anh (Rachel Marsh).
Of course, I get why the former route has been taken. Not only is the film an adaptation of the popular Ali Hazelwood novel of the same name, but Amazon is on a roll with its abundance of young-adult romantic dramas. You can't tune into a streamer that's developed bangers like Off Campus, Stirling Point and Every Year After and expect it to take a different tack here.
Is this taking the safe option? Probably. Does The Love Hypothesis tick the rom-com boxes it needs to? Undoubtedly. But while I don't think fans of the book will be disappointed, I can't help feeling that The Love Hypothesis has missed fully exploring its most enriching love story.
The Love Hypothesis is far from the greatest love story ever told — but it's fun
In a nutshell, Olive is a third-year biology PhD candidate at Stanford researching early pancreatic cancer detection. In order to convince her best friend Anh that she has completely moved on from a crush, Olive impulsively grabs and kisses Adam in the lab hallway. The two make a mutually beneficial agreement to fake date each other... though that fakeness doesn't last for long.
You can see, and correctly guess, all of the story beats just from me writing that short synopsis. There are no surprises, and things will end exactly where you expect them to. For some people, this is what they'll want — a reliable, sexy and giving rom-com in these desolate times? I get the appeal. Just don't expect anything that will blow your wind.
Even though Adam is barely tolerable for the majority if The Love Hypothesis, the ensemble cast is clearly at home in the genre. We want to be Olive as she wrestles between her head and heart, attending cool house parties and industry mixers. We want to shout at the characters who do her wrong, and we truly feel like her ride or die through the process.
The highly-anticipated hotel room scene, I can confirm, is hot. It's not the most explicit or sexiest moment in a movie I've ever seen, but you can't deny the natural chemistry sizzling between our two leads. Take everything you felt during the split second teaser in the above trailer and amplify it by 1000.
Yes, The Love Hypothesis largely plays it safe, with its direction, narrative and unbelievably underwhelming soundtrack all evidence of that. But the journey from start to finish is fun, understanding, and convincingly sincere. It's tough work being a woman as it is, let alone a talented woman in STEM.
This should really be a love story between two best friends
(Image credit: Prime Video)
But enough about textbook love... let's talk about friendship. My heart bursts for the love between Olive and Anh, and their unrelenting willingness to go above and beyond for each other. I mean... Olive is fake dating someone just so her bestie feels comfortable enough to pursue the man she likes without crossing a boundary. That's a girl's girl alright.
Neither of them compromise on their smarts, or dedication to their future careers, let a man come between them, or change who they are to fit in with their university's social norms. They are fully themselves at all times, allowing their value and worth to shine through in every aspect of their lives.
If anything, this is what I hope viewers will take away from the new Prime Video movie. At the end of the day, there are no greater romances than your friendships, and those of us that have such friendships are incredibly lucky to have such invaluable wells of support and love in their lives.
The Love Hypothesis might be marketed as a standard enemies-to-lovers romance, but strip back the tropes and you'll find a love letter to friendship — and this, for me, is the mark of a job well done.
Sure, we've had a whole host of cameos from the original show (though three notable faces have yet to turn up), but zipping from unhinged universe to unhinged universe has been a world away from the science sitcom we know and love.
But what if I said that there's a key reason why this week's episode could be straight out of 2007? And when does Stuart Fails to Save the Universeepisode 9 arrive on HBO Max?
What time can I watch Stuart Fails to Save the Universe episode 10 on HBO Max?
For US viewers, Stuart Fails to Save the Universe episode 10 will drop on Thursday, September 24 at 6pm PT/9pm ET.
Internationally, you're looking out for these times:
US – Thursday, September 24 at 6pm PT / 9pm ET
Canada – Thursday, September 24 at 6pm PT / 9pm ET
UK – Friday, September 25 at 2am BST
India – Friday, September 25 at 6:30am IST
Singapore – Friday, September 25 at 9am SGT
Australia – Friday, September 25 at 11am AEST
New Zealand – Friday, September 25 at 1pm NZST
When do new episodes of Stuart Fails to Save the Universe come out?
(Image credit: HBO Max)
New episodes of Stuart Fails to Save the Universe will make landfall every Thursday in the US and on Fridays everywhere else. Here are the all-important dates you need to know about:
Alongside some great Easter eggs (IYKYK), we've picked the action back up with Claire and Jamie's parents: Brian (Jamie Roy), Ellen (Harriet Slater), Julia (Hermione Corfield), and Henry (Jeremy Irvine).
The lovers are separated once again as the Scottish Highlands are split in two by the 1715 Jacobite Rising in season 2, with Julia and Henry split when their plan to travel back to the 1920s goes wrong at the last minute.
It was brutal, but somehow Henry has found himself in a psychiatric asylum in 1924, while Julia stays trapped in 1715... with no idea what's happened or how to fix it.
We see Henry undergo electric shock therapy after it's revealed that he was found on the street by a local policeman, incoherently babbling about time travel enough to cause concern.
It's a brutal scene to watch, but how was it to film? Irvine gives us a full breakdown... and it might actually have been worse than it looked.
'It really jumps in at the deep end'
"It's great. I got to do a load of research into something that I didn't know much about," Irvine tells me. "I'd watched some footage of people having it done, and that was a good excuse to sort of really jump in at the deep end... go for quite a big performance and um, see if we got away with it."
If you ask me, it certainly does. As I tell Irvine, season 2 episode 1 largely feels less like Outlander and more like an episode of American Horror Story or Ratched. For the tonal shift alone, I'm hooked — there's nothing like keeping us on our toes right from the get-go.
"I remember it being exhausting to film," he continues. I think I basically had a seizure for two days on a gurney. I really enjoyed the wacky way they went inside Henry's mind. I think that it's the part of the character that I enjoy playing the most, his fragile mental state and his warped view on reality.
"It's a great obstacle for him to have to try and work through. It's unsettling for me to watch back, which I think is a good, good thing."
If you've been following my Blood of my Blood coverage since season 1, you might remember that Irvine told me shortly after starting production that season 2 would be "wildly not what we expect." But now that we're all seeing it, were the actors as surprised when the drama picked back up?
"I remember before I read the scripts, I went for a costume fitting and had a vicar's outfit and a straitjacket to try on... that's when my suspicions were first aroused," Irvine adds. "For Henry, it's a completely different world to go into, which is great.
"We filmed episode 1 in that first month, which was nice because you don't always get to film in order. It was great to see how everybody just came back and hit the ground running pretty much from that first step."
But if you think this means that things are slowly down from episode 2 onwards, think again.
For years, major governments around the world have routinely conducted wargames and simulation exercises to test their military readiness, crisis response, and supply chain resilience. For the first time ever, we're about to see how one plays out.
Based on its hit 2025 podcast of the same name, Sky TV has developed four-part docuseries The Wargame, which explores how a fictitious UK cabinet — made up of former MPs from multiple parties — could responded to completely made-up threats and eventual attack from Russia.
Here's how it works. Our cabinet (listed below) will face an escalating simulated crisis, beginning with the suspicious murders of two RAF soldiers. While the Russian side, and any international players, are being given instructions by producers, every decision we see from the UK side is being made in the moment.
With four episodes dropping nightly on both Sky and NOW from September 21, I won't sugar coat it: The Wargame is an absolutely terrifying watch. If you've ever seen anything like Threads, When the Wind Blows or the BBC 1966 film The Wargame, it's the same sense of impending dread... just from the other side of the table.
But, don't get me wrong — this might just be the most important piece of television of the 21st century. As the UK's War Book is being redrafted in real time to advise the public on how best to be prepared, consider that Sky TV is granting us an important head start
We can no longer bury our heads in the sand over just how unprepared the UK is, and artificial intelligence (AI) is one of the main reasons we'll be able to realize this.
The Wargame is the most important TV show you'll stream in your lifetime — just be prepared
Before we drill deeper into what you'll soon see, here's our full list of players and their assigned roles:
● Prime Minister: The Rt Hon. the Lord Gove PC
● Deputy Prime Minister: The Rt Hon. Nicola Sturgeon PC
● Defence Secretary: The Rt Hon. Dame Penny Mordaunt DBE PC
● Home Secretary: The Rt Hon. the Baroness Harman KC PC
● Foreign Secretary: The Rt Hon. Jim Murphy PC
● Attorney General: The Rt Hon. the Baroness Warsi PC
● Director of Communications: The Baroness Hazarika MBE
● Chief of Defence Staff: General Sir Richard Barrons KCB CBE
● National Security Adviser: The Rt Hon. the Lord Kim Darroch KCMG
● Intelligence Chief: Christopher Steele
● Nato Secretary General: The Rt Hon. the Lord Robertson KT GCMG PC
● US Secretary of State: Anthony Scaramucci
As you can see in the above trailer, Sky has been incredibly upfront about its use of generative AI visual effects to create scenes showcasing Russian missiles hitting numerous UK targets. This is normally the part where I'd do my "AI is unnecessary in the creative arts, why couldn't they have just used CGI instead?" tirade, but actually, I'm glad that this decision was made.
Why? Not only is there a poetic irony of using AI to depict missile attacks mere weeks after the global public was told that there's a 10% that AI could kill us all within the next decade, but its use feeds into a wider point that The Wargame is trying to make. We've become so used to a certain type of 'peacetime life' and concerned ourselves with other issues (such as AI) that we've lost any kind of resilience we've ever had since World War II.
While the exact military capabilities of the UK are made up, seeing just how weak and unprepared we are if direct conflict was to strike our shores will hopefully be a wake-up call to anyone watching. As Sturgeon tells us, these choices are often like picking between "bad and worse," and it's nice to see our politicians slightly more humanized, even if the docuseries doesn't fill me confidence as to how international conflict could be handled.
With a fake COBR-style boardroom, military ops room, and press room all in use, it does feel as though this is the closest we'll ever get to an all-politician version of Big Brother. But, fake TikTok clips from real-life influencers capturing their reactions to the fictional breaking news brings the effects straight back home.
What do our players hope we take away from watching? "Governments have to, of course, hope for the best, but prepare for the worst. And that's not just about defence spending," Sturgeon said at the show's launch event. "There's a whole debate about preparedness of the population and some really basic things that we're just not at the races of, in terms of being prepared for even a fraction of this unfolding.
"So, getting rid of the optimism bias that this won't happen, to starting to think seriously about the prospect of this possibly happening." Deep breaths, people.
In the UK, we're exceptionally good at producing legal dramas. From Silk to Kavanagh QC, we've been offering the world a strictness and sense of traditionalism that the likes of Law & Order just can't touch.
Nowhere was this more apparent that The Split, one of the most popular dramas on BBC iPlayer in recent years. Exploring the world of divorce law, we follow the Defoes, a family of sisters working as divorce lawyers, who come face-to-face with their past after their estranged father returns to the fold.
The series came to an end in 2024, but two years later, spinoff The Split Up is ready to take up the mantle. This time, we're following Kishan Law, a powerhouse British South Asian family law firm.
Aria (Ritu Arya) is poised to take over leadership from her father Dhruv (Sanjeev Bhaskar), but the death of Aria's mother six months prior causes Dhruv to hesitate. Add in a workplace love triangle, complicated siblings and a messy divorce trial walking through their doors every week, and we've got something to get our teeth into.
It's a brilliant and delicious watch — so much so that I binged all six episodes in one sitting. Speaking to writer Ursula Rani Sarma, I learned that she already has ideas for more (though no official renewal has been made). On top of that, they're not ruling out a Nicola Walker cameo further down the line.
'If a storyline created that opportunity, we could 100% do it'
"My personal hope is for three seasons minimum," Sarma tells me. "I feel like I'm only just getting started with writing these characters and their journeys. As I was coming up with these storylines for season 1, I also had ideas for seasons 2 and 3 in my head."
This last statement alone immediately makes The Split Up worth investing in. We're living in an age of routine TV cancellations and one-season miniseries, so for Sarma to be taking the time to think further ahead means there's a natural richness that (surely) the BBC can't say no to.
"The three-season arc also emulates The Split," she continues. "But of course, that turned around and surprised everyone with a special. It's endless, my hopes and dreams for this family."
No spoilers, but we leave The Split Up at a place where enough is resolved and left unspoken simultaneously — which, frankly, is exactly where you want be heading into another season.
But what about a direct crossover? "I don't think anything's off the table," Sarma adds. "It was really important for the first series to establish this family to hopefully make audiences fall in love with them in the same way. To build that up without wondering what would happen if Hannah [Walker] were to walk in.
"But this is the gift of being part of The Split. If a storyline created that opportunity, we could 100% do it. Its cast are clearly so fond of that show."
That's the sense of optimism I like to see... now I just need to keep my fingers crossed.
I'm sure that you'll be looking for some soothing escapism to stream this weekend, but ITV has other ideas. From September 20, new crime drama The Blame hits our screens, with episodes available to stream en mass on ITVX.
Led by Michelle Keegan and Douglas Booth, the six-part series follows the murder of a teenage skater, which not only draws detectives down a dark, treacherous path, but also forces them to investigate their own team.
The call is coming from inside the house, as the kids say. DI Emma Clare (Keegan) is not just the only member of the force to work out what's really going on, but she's the only person brave enough to call out (the fictional) Wakestead police force on its biggest issue: misogyny.
From the moment The Blame begins, the murder investigation becomes shockingly intertwined with just how prevalent casual misogyny is across multiple officers involved in the case. It's a heavy-handed approach, which includes text messages from real officers discovered through whistleblowing operations. They're hideous, and it's tough to watch.
I quickly wondered whether the series needed to be so blatant with the issue to get its point across (in my view, yes it does). But Keegan and Douglas Booth don't just think that this creative decision leads to an "even deeper" storyline, but the original opening to episode 1 was so explicit that it had to be re-filmed.
'If you've done nothing wrong, what would you be worried about?'
"It was a deliberate choice to start with that," Booth, who plays 'nice guy' DI Tom Radley in the series, tells me. "It's on the nose, but I think even if it wasn't that blatant, the effect would be the same. As you go through the story, it goes much deeper.
"You're trying to solve a crime, but the way that men talk to you, the way they interfere or get in the way, even the compliments... this is all explored through many facets," Keegan adds. "But starting with the base of something seeming harmless immediately drops you into the right place."
When we first meet Clare and Radley, they're talking over the day's events in the local pub — before anyone knows that a murder has taken place. Other officers are also scattered around, talking about the best way to try to pick up an attractive woman at the bar. It's a subtle yet all too familiar reminder of the social culture that's become ingrained.
The more grisly action doesn't begin for another 10 minutes or so, but this wasn't always the case. "There were actually a couple of different versions of that scene," Booth adds. "There was a much more explicit one that [creators] decided not to go with. It was explicit... I won't go into what. But they didn't start with it. As you see them, things are still blunt and direct, but things are later dissected from there."
It's this constant moral back-and-forth experience you have as a viewer that I think is the most poignant part of watching The Blame. You don't feel as though you can believe any part of what you're seeing, including the texts that you know for a fact are real. We naturally want to believe that decent human behavior is something more frequent than it actually is.
But is anybody worried about potential public backlash? "When we spoke to police, they understand that there are issues. I don't think anyone can say otherwise," Booth explains. "But you also see all of the brilliant work that the police do. They're doing a really difficult job out there, all the time.
"That doesn't mean that there aren't systemic issues, and a certain institutional rot that is portrayed in this show. But I'm not really worried. Because if you've done nothing wrong, what would you be worried about?"
- Season 5 renewed before season 4 even aired - Will be based on Lee Child's 2015 novel Make Me - Alan Ritchson will likely be joined by new cast members - No production schedule or release date has been confirmed
Reacher season 4 has only just ended, and I'm already thinking about what could be to come in Reacher season 5.
That's partially because I wasn't completely taken with the season 4 storyline. My favorite Reacher seasons are where we see him drifting through small US towns that we've never heard of, punching a load of people as penance for their crimes, and then leaving.
But season 4 moved us towards a big city political espionage narrative — a move that clearly divided viewers, not just me. But with season 5 already renewed by Amazon, the first plot details reveal that we're heading away from the city once again.
But what has Prime Video actually told us about what to expect from Reacher season 5? We're breaking down everything from release date speculation to potential cast below.
Reacher season 5 release window predictions
(Image credit: Prime Video)
With no production schedule currently public, it's going to be a little while before Reacher season 5 hits our screens.
Based on season 4's filming calendar, which ran from June-November 2025, we can guess that the very earliest we'd see season 5 episodes is late 2027.
While season 4 aired from August 2026, seasons 1-3 dropped anywhere from December to February, which again, could influence when we might see season 5.
Renewal news came in May 2026, with Peter Friedlander, Head of Global Television, Amazon MGM Studios, explaining in a statement: “The series’ ability to combine high-octane action with compelling character storytelling continues to resonate with tens of millions of viewers around the world.
"We’re excited to move forward with a fifth season ahead of Season 4's debut and to build on this incredible momentum.”
Reacher season 5 trailer: is there one?
Don't be silly. It took us until the end of July 2026 to get one for season 4, so expect the first full trailer to arrive around two weeks before the fifth season does.
Reacher season 5 cast
Michelle Pfeiffer leads our new cast. (Image credit: Prime Video)
As Reacher's supporting cast tends to change on a season-to-season basis, the only person we can guarantee will return for season 5 is Reacher himself: Alan Ritchson.
However, past cast members such as Neagley(Maria Sten) appeared in multiple seasons of the show, so there's currently nothing stopping the below season 4 cast from returning:
Alan Ritchson as Jack Reacher
Sydelle Noel as Tamara Green
Christopher Rodriguez-Marquette as Jacob Merrick
Kevin Corrigan as Detective Shaun Docherty
Kevin Weisman as Russell Plum
The above hugely depends on how closely show creators will follow the original novel's source material. We can quite easily rule out Neagley's return now that she has her own spinoff.
New faces will likely be announced as filming kicks off, so watch this space.
Reacher season 5 plot predictions
(Image credit: Prime Video)
We know that Reacher season 5 will adapt Child's novel Make Me, which is the 20th installment in his Jack Reacher series.
In short, Reacher arrives at a remote, quiet prairie stop named Mother's Rest. There he meets Michelle Chang, a former FBI agent turned private investigator who is searching for her missing partner, Keever. Together, they trace clues across Chicago, Los Angeles, and the Deep Web, uncovering a horrific online operation.
With the local townspeople hostile and incredibly cryptic, it feels as though the season's tone will be more similar to seasons 1 and 3. However, the ties to bigger cities — particularly Chicago — provides a potential gateway for old characters to return.
At this stage, we're running before we can walk. I'm just glad that once again, the small town feeling wins out.
Now that MobLand season 2 has started streaming on Paramount+, I'm glad we've got more insanely epic television to watch. Nonetheless, in recent times, we've been preoccupied with the unverified Tom Hardy rumors that dogged this season's filming schedule.
In late May, The Hollywood Reporter (THR) claimed that, if MobLand season 3 was to be renewed — which it has been — shooting would begin later this year. However, gossip about Hardy's behavior on set was not only said to have "spooked producers", but even led to the star's firing from the hit crime drama.
THR's source said: "He refused to come out of his trailer for hours at a time. He kept the cast waiting, [which is] a power play. Keeping Pierce Brosnan, Helen Mirren, and others waiting is career suicide, I would wager.”
However, speaking to Variety a separate source refuted those accusations, adding: "Tom was not fired, the door is not closed for season 3, and things are being worked through creatively."
We now know that Hardy is confirmed to return for MobLand season 3, and the cast has moved quickly to shoot down any supposed tension on set. Indeed, Anson Boone (Eddie Harrigan), Mandeep Dhillion (Seraphina Harrigan), and Teddie Allen (Gina Da Souza) all confirmed to TechRadar that the cast is "all family."
'It feels like family'
"Just fun, isn't it? Because we all know each other so well," Dhillon replied when I ask what the on-set vibes were like for season 2. "More playful. It's nice coming back for a season 2, because everyone's just so comfortable."
Boone added: "In season 1, we were all getting to know each other. To then come back for season 2, you have that added level of comfort. We're all pals now."
Honestly, it's easy to see how this is the case. When rumors initially surfaced, it was Helen Mirren who posted a message of support for Hardy on Instagram, with the post reading: "love you now and always, Helen."
"It feels like family," Boone continued, as Dhillon and Allen nodded in agreement. "It's so satisfying when we get to do big group scenes together. When you start season 2, everyone is banished to the four corners of the kingdom.
"No one's talking to anyone. We're a little team [pointing to him and Allen], Seraphina is a little team on her own, also, then you have Kevin (Paddy Considine) and Bella (Lara Pulvey), Maeve (Mirren) Conrad (Brosnan), and Harry (Hardy) all trying to piece it together.
"Obviously, in reality, that means that we're all filming scenes separately. Keep tuning in season 2 and you'll see when people do come together. It's so much fun to film. It's the best days knowing that everyone's in."
Even for a potential PR line, this doesn't feel like the energy of actors who genuinely have had a bad time at work. Perhaps we can finally draw a line under the so-called MobLand scandal and focus on what's really important: the show itself.
Unsurprisingly, Guy Ritchie has wasted no time getting stuck into absolute madness in MobLand season 2.
Helpfully, he's included a season 1 recap montage before any of the new action gets underway. Conrad's (Pierce Brosnan) feud with Kevin (Paddy Considine) has reached civil war levels, with Jan (Joanne Froggatt) accidentally stabbing Harry (Tom Hardy) in the stomach while daughter Gina (Teddie Allen) made a run for it.
They've all made it through to a new season unscathed, but for how long? With MobLand season 2 episode 1 now on Paramount+, let's dig a little deeper into what's actually happened.
Conrad and Maeve open fire on the dog track after Kevin goes behind their back
As episode 1 picks up, we're down the dog track. Conrad, Maeve (Helen Mirren) and a handful of their cronies have arrived for a 'sit down' with Turkish gangster Gakbu, who we understand has entered into a drug partnership with the family.
However, Gakbu himself hasn't shown up to meet Conrad. Instead, he's approached Kevin to strike a deal, having considered Conrad to be "old news." In the heat of the moment, Kevin's only too happy to betray his dad, leaving Gakbu's brother Luca to attend the dog track face-to-face.
Within the first 10 minutes of the episode, Gakbu's henchmen are all dead, with Conrad and Maeve opening fire on the group as if they're "a real-life Bonnie and Clyde." Staff cower behind the bar in fear, while Conrad screams "We are the Harrigans! Don't know the name? Then f**king Google us."
Harry and Jan start divorce proceedings as the Harrigans hit a 'death spiral'
(Image credit: Paramount+)
We then cut to Jan and Harry, who are sitting in a therapist's office. Jan discusses their "rough patch," explaining that they've struggled to make quality time for each other thanks to Harry's work, including the admission that Jan stabbed him in the stomach.
Jan reveals that Gina left a note before she left, reading "Mum, you saw a way out. There's another one… it's called a door. Gina. P.S. I wish you'd killed the c***."
Their session is interrupted when Harry gets a call from Paul (Emmett J. Scanlan) who briefs him on what's happened at Green Park Dogs. Harry, surprisingly, didn't have a clue that a meeting with Gakbu was taking place.
As DCI Kavanagh (Ophelia Lovibond) arrives at the scene, Harry tells police mole Finch (Warren Brown) to clean up the mess from the inside. Bella (Lara Pulvey) is across town meeting with a prospective team of lawyers, but Kevin pulls her out of the meeting — he's heard too, and it's no longer safe for Bella to leave in a known car.
Harry arrives at Conrad and Maeve's house, as Paul tells him that they've gone into a "death spiral." He believes that the chain of command has gone completely out of the window, and everyone is terrified of what's to come.
Harry questions Conrad about why he didn't know about the Gakbu meeting, but Maeve admits that it was her idea. She believes that his closeness with Kevin means that sensitive plans must be on a "need-to-know basis." Harry tells them at the family is now "surrounded by sharks, ripe for the picking," and theorizes that Gakbu was being controlled by Kat McAllister (Janet McTeer).
In Harry's eyes, the opposition is capitalizing on the fractures between Kevin and Conrad, meaning that a war on the family has already begun.
A witness comes forward while Maeve secretly meets with Eddie to try and get rid of Gina
(Image credit: Paramount+)
As Harry leaves the house, one of the dog track waiters arrives at the police station. Finch clocks him and alerts Harry, as the waiter tells Kavanagh exactly what Conrad did.
As Maeve leaves for London, Conrad insists that new recruit Fergus (Jack Archer) goes with her. Maeve drives down the road before ordering Fergus out of the car, who chooses to spend the afternoon hiding in the bushes so he doesn't get in trouble with either of them. Harry asks Zosia (Jasmine Jobson) to follow her from a distance.
Jan officially asks Harry for a divorce, telling him "I know you love me. I know you love Gina. But it's not enough." Harry leaves once Dean, the waiter who went to the police, is found trying to return to his flat. Harry packs him into a van and drives him to an empty warehouse unit.
Dean is told to return to the police station to retract his statement, and instead claim that he was coerced into making it by Gakbu. If not, he "won't be needing his bicycle anymore."
We then see Maeve meeting Eddie (Anson Boone) in a Greasy spoon, with Zosia watching on outside. Eddie gives her a bag with £30,000 inside, claiming that it's "her cut." Eddie explains that he and Gina have been shaking down prolific YouTubers with cash to spare, offering them security in exchange for a hefty fee.
Maeve, however, isn't happy with this. She claims that she has "big plans in store," for Eddie, and they involve Gina being in the "f**king rear view mirror." Next time they meet, Maeve wants Gina taken care of... and another £50,000.
Seraphina tries to make her move on Kat McAllister as Kevin admits all to Harry
(Image credit: Paramount+)
Harry pays a visit to Kevin, who explains what happened with Gakbu. He explains his theory that Gakbu is being controlled by Kat, though Kevin doesn't seem phased by this.
"She's gonna eat us piece by piece," Harry explains. "Her mob has eight trillion in cash and the world's biggest nuclear arsenal." Kevin remains convinced that "he can look after himself," despite everyone else thinking that he's the weakest link in the family.
We cut to Kat, who is giving a speech at the London Imperial College. Two notable people are in the audience: Seraphina (Mandeep Dhillon) and Colin (Toby Jones).
Seraphina gets to her first, who tells Kat that it's time for Conrad to move on. She's convinced that Harry feels the same way after saving her life at Antwerp. Kat tells Seraphina that she'd want half of all Harrigan revenue for the next five years, if she's to be trusted as a business partner.
Seraphina tries to barter this down to four, convinced that Kat is out of other options after her attempts to corrupt Harry proved futile. Kat gives her a number and tells her to call it whenever she has a conversation with another family member, and to repeat it word for word. "You wanna play in the f**king big league? Honey, you're here... and you're up to bat."
Colin offers Kat her own Harry Da Souza as Gakbu meets his maker
(Image credit: Paramount+)
As Seraphina leaves, Colin arrives. Through one of his infamously long-winded historical references, Colin offers her "a brave knight to ride into battle for you," allowing Kat to keep her nose, and reputation, clean.
Describing himself as a "lowly middleman," he wants a fee to find the right person to act in Kat's interest... much like Harry does for the Harrigans. "In five years time, this man will run London with your help, and as such, you will own him. The Harrigans will be consigned to the dustbin of history" he claims.
Kat doesn't give an answer as Colin leaves, but she's clearly mulling it over. Harry, meanwhile, has gone to pay Gakbu a visit, taking every last remaining family member — and the main man — out. Zosia rings, telling Harry that he's found Gina.
Colin arrives at a house full of young men, approaching a man called Frankie (Johnny Flynn) while he uses a barbecue. "Start talking, copper," Frankie says as the scene closes out.
Neagley naturally had a lot to live up to as a spinoff of popular Prime Video action series Reacher, but now that I've binged all eight episodes, I think it deftly rose to the challenge.
It doesn't hurt that Neagley herself (played by Maria Sten) is the most popular character aside from Alan Ritchson's hero in Reacher history, to the point where many Reddit threads were dedicated to mourning her absence in season 4.
However, the move to give her her own spinoff has been a wise one. Neagley effortlessly carries on the same vibe, emotion and expectation we have from the main series, and the exploration of Neagley's personal backstory — which finally solves a huge mystery — doesn't disappoint.
In my mind, Amazon would be incredibly silly not to greenlight Neagley season 2 in the next few weeks. While it's still too early to tell exactly how many viewers will be tuning in, that number is like to be a high one. Add in how much the streamer is already invested in the Reacher IP, and you've got a surefire success.
The wait to find out if Neagley season 2 will happen is a frustrating one, so I've chosen to get a jump-start. Luckily, creator Nicholas Wootton and the show's lead cast all know what they want from future episodes... and their ideas couldn't sound more exciting.
'This is where we develop our future seasons'
"I hope we get to dig deeper into the relationships and emotionality of the show," Neagley star Maria Sten tells me.
"We have so many great action sequences in this show, and if we get another season, I want to build on that... make it even bigger. Continue to develop these characters, get them into trouble, and get them to face the consequences of their emotional problems."
Sten knows exactly which beats to hit, but she's not the only one we'd need to consider in a second season. In the final moments of the season finale, Renee (Adeline Rudolph) and Keno's (Jasper Jones) romantic relationship is tentatively cemented — so we're only just starting to scratch the surface of what's between them.
"I think for Renee, there's still a lot of unanswered questions," Rudolph says. "I personally have them too, and I'm so excited to find out about them. And to see what the next adventure is."
Jones agrees, "I kind of want to leave things open because I want to be surprised. I want to keep giving something new. Maria has done such a beautiful job of that in reprising this character... now that she has her own show, she has to bring something new to the table. I would like to hold that torch and bring that forward."
For Wootton, what season 2 holds is much more straightforward. "I've always seen Neagley as being a Chicago-centric show with a team," he explains. It differentiates from Reacher in that it has a home base and a consistent group. That means we can explore more about her psychology and movement forward.
"She's never been in love, had a first dance... all of these sorts of things. Then you've got the richness of Chicago's own crime history. It's fascinating. This is where we develop our future seasons."
Yes, I transcribed that correctly: future seasons, plural. This lot are clearly on a mission, and I'm keeping everything crossed that they'll be successful.
It likely won't take you long to reach the ending of Neagley on Prime Video — all eight episodes have been released on the streamer — and when you do, it's nothing short of dramatic.
In a nutshell, the Reacher spinoff is following two story strands simultaneously: the death of a young man that's linked to the Echo Canyon Farm cult, and the reasoning behind why Neagley (Maria Sten) has a lifelong fear of being touched and touching others.
We learn that the cult has a secret facility that is being used to test an illegal drug, called Tranqlara, on human subjects, which is all being funded by a Swedish billionaire known as Rawlings. Neagley and her team try to simultaneously avenge her friend's death in episode 1 and save the innocent followers from the effects of Tranqlara, though they're not overly successful.
What it does lead to, however, is the group blowing up the Echo Canyon Farm facility after the death of leader Lawrence (Damon Herriman), walking in the other direction as if they're in the iconic Reservoir Dogs scene.
It's my favorite moment in the entire series (it looks and feels so effortlessly cool), but according to Sten, none of it was filmed in the way that I thought it would be.
'It wasn't as impressive as what you see'
"I thought it was cool, but I could spoil things and say that there was no such explosion behind us as we walk away," Sten tells me. "There was actually a wind turbine. But we played the music that was going to be played and definitely got in the vibe.
Greyston Holt, who plays detective newcomer Hudson Riley, adds, "We knew what it would be. But in the moment, it certainly didn't look as impressive as what you see on screen."
For the first time in what feels like forever, I've been fooled by CGI. If you were to ask me whether the season finale explosion scene was real or digitally generated, I'd have firmly been in the former camp.
However, that doesn't mean everything we see in Neagley was CGI generated. "In the first episode there's a big truck that blows up, and that was a practical explosion. It's a matter of whether we can blow up the set of not," Sten laughs. "It's not always possible, but we always vouch for it."
If Neagley season 2 does get confirmed (come on, Amazon), I'm hoping for even bigger and better actions sequences. Sure, discovering more about Neagley's backstory has been incredibly satisfying, but clearly, nothing truly beats blowing stuff up.
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